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                        | DENIS
                        GIFFORD'SMONSTERS OF THE
                        MOVIES
 (1977)
 |  | Monster
                        #2 - Ape Man |  |  
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 United
                States, 1943 A Monogram Pictures Production64 mins, black & white, 1.37 : 1 aspect ratio
 Director - William BeaudineScreenplay - Barney Sarecky
 Story - Karl Brown ("They Creep in the
                Dark")
 Cinematographer - Mack Stengler
 Editor - Carl Pierson
 Music - Edward Kay
 Bela Lugosi
                (Dr. James Brewster), Louise Currie (Billie
                Mason), Wallace Ford (Jeff Carter), Henry Hall
                (Dr. Randall), Emil Van Horn (Ape), Ralph
                Littlefield (Zippo) 
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        | SYNOPSIS
        - Conducting weird experiments, mad scientist Dr.
        James Brewster, with the help of his colleague Dr.
        Randall, has managed to transform himself into a hairy,
        stooping ape-man. Now desperately seeking a cure,
        Brewster believes only an injection of recently-drawn
        human spinal fluid will prove effective. But with Randall
        now refusing to help him, Brewster and his captive
        gorilla must find (and kill) appropriate donors
        themselves. | 
    
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        | I didn't care for the "Ape
        Man" at all when I first perused Monsters of the
        Movies back in 1977, and things haven't changed
        since - not the least because, unfortunately, nothing in
        this movie makes any sense, not the least what on earth a
        scientist could be working on that has any logic to it if
        the accidental result can be the transformation into an
        apeman state. The sole saving grace of this poverty row
        flick is the fact that it doesn't take itself too
        seriously and, at least for most of its running time,
        throws in voluntary (and a few involuntary) elements of
        comedy. | 
    
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 |  | The culmination point of this is
                revealing that a mysterious persona, who pops up
                throughout the movie somewhat influencing the
                flow of things, is actually the author of the
                story. Happening right at the end of the movie,
                this breaks down the "fourth wall"
                between the movie and those watching it. He
                actually sums up the movie pretty well by
                quipping to the audience "screwy idea,
                wasn't it?" before rolling up the car
                window with the words "THE
                END" appearing on the glass. Ralph
                Littlefield plays this special little role quite
                well. Bela Lugois on the other hand, who was
                61 when he played the Ape Man, was already on a
                sad downward spiral, induced by health issues,
                prescribed pain-killer addiction, and alcoholism.
                Although he was, finally cast as the Monster in
                Universal's Frankenstein Meets the Wolf Man (a
                role he famously turned down in 1931) the same
                year he did The Ape Man, it
                really was too late for his career, and his roles
                and typecast formulaic acting in poverty row
                movies didn't help at all. The movie is now in the
                public domain and available on various online
                platforms, but picture and sound quality are
                often poor - quite unlike Retromedia's 2020
                Blu-ray release, which is definitely the sharpest
                (2K) and most complete print of The Ape Man that's
                out there. Plus - possibly as a consolation - you
                get Karloff's Doomed to Die Mister Wong
                movie with this "Monstrous Double
                Feature" Blu-ray bundle. |  | 
    
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        | Reviewers at the time didn't care much for The
        Ape Man either, with Variety calling it
        "good for laughs which aren't in the script",
        although the Los Angeles Times did note
        "the slyly satricial moments". One of the major
        prtoblems of the movie is Lugosi's make-up, which is as
        bare bones as it gets and really does nothing other than
        turn Lugosi into Lugosi with lots of facial hair; the Hollywood
        Reporter called the make-up "horrible". The saying that what you get is what
        you pay for doesn't always apply to movies (some high
        budget films have turned out to be terrible), but a lack
        of funds is certainly a huge obstacle to overcome. Louise
        Currie, the female lead, recalled working on the film and
        just how cheap Monogram's low-budget movies were, stating
        that she had to wear her own clothes for their films
        since the studio didn't even have a wardrobe department
        (Weaver, 1999). | 
    
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        | Ape men were, of course, a staple of 1940s
        "horror" movies, especially cheaper ones, where
        the seemingly easy and straightforward costume challenge
        was to get hold of an "ape suit" (as also seen
        in The Ape Man) and save money. Monogram actually turned out Return
        of the Ape Man a year later - also featuring Lugosi,
        but not a sequel to this movie. | 
    
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                        |  |  | Denis Gifford on The
                        Ape Manin A Pictorial History of
                        Horror Movies (1973)
 "Lugosi
                        played James Brewster - a pretty strange
                        name for a Hungarian. The plot itself is
                        uncommonly like The Ape, which Karloff
                        had appeared in for Monogram. Lugosi
                        kills people to obtain supplies of fresh
                        spinal fluid, the only antidote to his
                        apishness. The twist is that instead of
                        donning a gorilla skin, Lugosi is
                        half-gorilla himself." |  |  |  |  
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        | Sources WEAVER
        Tom (1999) Poverty Row Horrors!, McFarland &
        Co | 
    
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                | The illustrations presented here are
                copyright material.Their reproduction in this non-commercial review
                and research context is considered to be fair use
 as set out by the U.S. Copyright Act of 1976, 17
                U.S.C. par. 107
 and in accordance with the the Berne Convention  
                
                for the Protection of Literary and
                Artistic Works.
 All images from Monsters
                of the Movies (Carousel/Transworld) were
                scanned from my personal copy purchased in 1977All images of Blu-ray or DVD covers were scanned
                from my personal copies
 Page created 2
                April 2023Last updated 2 September 2023
 (c)
                2023  
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